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Posts Tagged ‘random’

There are 2 places to write from/ 2 ways to write.

The 1st: when one is writing, journal quality- where feelings are expressed in reporting fashion.
It is often sourced from the raw heart, but the other side of the heart. The side where the flowers don’t grow or pepper the in-between-places of words. Visual description is scant, exchanged for survival mode.
The side that is blood-swollen and rugged tender raw. Like half an hour to an hour into a wasp sting.
It’s to the point.
An aggregate of hurt, observation, and questions on the factory line at the beginning of processing.
It’s fresh and harmed. Or fresh and ruby red. Or fresh and perplexed.

The 2nd is once the thoughts have entered the bloodstream. Once the thoughts have become brain food, or maybe even the body has digested all the possible health or false nourishment and excreted the rest. Or maybe it’s sights upon describing the excrement. Or sights on love. Or sights on love that was. Or a safer place in reprieve of conditioning. All in all- it’s a place where art lives. Where words form tunnels that no one’s ever taken that lead to pieces of sky no one has ever seen. And the culmination of comfort, acceptance, and understanding leads to an ability to play with descriptors and bend them now to explain what was once impossible to catch in 2 hands/ to hold in one’s mind.

The same person will write in these two fashions. It is chew then swallow. It is egg then omlette. It is crawl then walk.

The brain intakes, assimilates, activates.

Reading a memoir of an author is likely to be the opposite of their flower writing. If you want to learn about a recommended writer, learn their work before grasping at their version of them selves. It is sleep then dream. But more so learn then understand.

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Eves-dropping on neighboring cloud watchers across the isle:

–Young girl- maybe age 7- speaking in absolutes: “I see a hand.”
–Man beside her- maybe mother’s boyfriend: “I see it.”
Pause. Watch. Stillness. “I see some mashed potatoes.”
–Girl -calm: “Oh yeah. Yeah.”
“I see a coyote without legs. Do you see it?”
“Planes are huge. Almost bigger than the world. We’re almost to space. Did you know that?”
–Man attempts an explanation about atmosphere, stratosphere… starts out strong. Flounders. Reverts to talking about library books on the subject.

Girl turns her head from the window of Largest Views. She finds a heated shaft of sunlight taken to sitting on the top of her hand from the other side of the plane. My side.
Reflection projection.
Steady she holds it; her sun-hand. Her free hand whirling small fingers atop the partner’s radiance. Spinning a small dance above orphic golden. She wants to show her mother who sleeps;
Looking back and forth from mother to glow, mother to glow, mother to glow.
She is a kind child. I can tell. Her mother rests on, while dutifully with providence, she hosts the light.
Girl sees me looking and offers a soft-kid smile my way. It’s too late to look away. I’ve been self-generous with my observing.
Down she puts the sun.

Back to cloud-watch; the line between boredom and the ease of nothing else to do, giving call to the deciphering of true existences.
High game, low stakes.
Infinite interpretive possibility.
A pooh-bah baby; she tells what’s what. The crown in passing light.
In a flash I’m brought back too.
Times no linear thing when you’re suspended in the air and have exhausted your ink pad and reading resources and suddenly… I’m young again, head-scratching, squinting wonder, looking for what’s really out there.
By and by eking out that dolphin pattern of automatic coordination involving focus, locus and vergence.
If I’d stare hard enough… If she’d stare hard enough…

Now the mother’s eyes are opened and the three talk of sun. I hang on their words like heavy warm suds sky bath. They talk of curiosities over cardinal directions, the great Atlantic acting to anchor the origin. Wondering just what they’re flying over. Wondering where the man’s house might be very right now.

In an instant the plane tilts- revealing a ground covered in snow. A secret held from us by the simple act of not telling our full and hungry eyes. Covered in snow, dotted in trees. All small far down. Snow inside of snow.

The clouds have begun to thread, actively uniting, they soon mimic the land below as a blanket and a few levels higher measured by hundreds of feet, or thousands if you’re good at guessing jelly-bean-jar-quantities; filtering sun, laying across us fly-ers, dressing us in riches of watermelon and orange juice two hues.

Girl, Man, Mother are quiet. My mind quite quiet. And the clouds- speak silence full into the figures we see of them. Wipe away to white. Begin again if you please.

stard

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There is a well of surface-scraped-depth within me.

I know.

And maybe you too.

I need to know what gems lay deep, bound by body basalt; encased in black rock; kidney crystal. Clinging to crags. Affixed & sturdy.

Formations of luster; robust & ripe; uncomprehended in fullness.

And it worries me.

How to mine myself for precious bounty?

Am I made of softer stone? Might I chip?

What earthly instrument would act as chisel?

How much wonder, precision & intent is required for self-extraction.

To mother words.

Arrange them & categorize.

The placement in a great pantry of order, positioning strategic visions; moving over pink salt, second hand plates, glass jars, almond flour, the old orange juice press, wayward spices- to arrange enigmatic & even alien feelings that can use the generosity of air-time to dry upon the lacquered, shaded kitchen shelves still shieldable from light with manageable doors.

That can benefit from this. To breathe & to steady.

The place my private mind has kept sacred & mysterious, precisely where X marks the spot, though barely tended to- not having intended to gloss over them or feed the deterring, fleeting, faux shiny distracting forces; shielding fears of my own discoveries & the responsibility that comes from choking- one day- upon an throat full of undigested diamonds.

How do you do bounty?

We are each equipped with inherent, ancient farming techniques.

How to learn treasure.

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The strangeness of days. The lopsided magic that elbows you from the sidelines. You hold your ribs, shaking your head. It happens. “Did that really happen?” You’ll say,cued up, but you’ll know. YES.
Eye-rubber, head-scratcher days. Where synchronicities pip, pop, pap and you watch. You know something is right- for you at least- in some way- but what an unorthodox display.
When moments and days segue and transcend perfectly into the next. The foreshadowing-of-strange-life-events feature revving.
As we grow, we become more aware- hopefully of the simple one door closed/ another opened equation. It’s genuine application. It’s mystery promise.
Go on, slap your normativity across the face with a wind up and see what comes. It might be giant. A slow giant, with watchful eye’s yet sloth-like timing. Like a continental drift. Before you know it you’re on the other side of the equator. Eating the same cereal all the while.
It’s moves like this that occur when you were sleeping. Be it literally or physically. Suddenly you might be 35 years old, in a kitchen that’s giving up the battle of white walls, a long and scratchy-floored corridor, old mouldings, access to the roof where you’ll take in first-of-morning moments, big ol’ bay windows at your head where you do your best to rest under your prized Pendleton.
Maybe you’ll have gone to a show 2 nights ago that you were looking forward to. One who’s performer you had seen before, who’s lyrics inspired and tickled you; a voice so soft you wanted to make slippers out of it. And maybe that show turned out to be an absolute flop- mimicking a pitiful freshmen art school project on staccato affects on the audience, and an undeterminable counterpart person on stage to remain turning potentially purposeless knobs and staring, full face into the eyes of your singing sweety who would soon melt before you as a bore. And maybe they would remain, staring and staring some more into each other’s eyes, ignoring the crowd at large, and whispering near the microphone; said counterpart looking plain Jane, but when the light hit her just right somehow Alice Cooper would emerge. Sans light tricks. Just a disco ball 20 some odd feet above. Let’s just say. And you told your friends. And the Alice Cooper thing was just undeniable and so-fucking-trippy and it kept happening. A devil woman!
And then you’re in this place, devising a get away plan, when the show ends early anyway, and you decide “Oh how nice, I shall ride my bike home and retire to bed quite early, making up for lack of sleep. How divine”, or something to that effect.
Home you go. Sleep you do. Until 3:37am when bullets ring out. Maybe 6 maybe 7 you can’t be sure because waking up with jolts and orientation isn’t your strong suit. And then a man wailing begins. And you call the police, and you go to the living room and you watch the man writhing on the sidewalk, 1 story below and about 7 yards from your building and punctured with bullets, and you; helpless in your robe, holding your mouth and wishing for a hug. Reevaluating the definition of loneliness.
Cops come after not too long and your eyes won’t budge until you forcibly pull yourself back to bed with silver brown black red sparks jittering your spinal column, heavying the pit of your back and lay there as the police commence taking witness testimonies right below your bedroom window until 6:50am.
And then your day has begun with sleep being a lost design, and you are nothing more than shot with rubber-band-brain thoughts continually slinging back to the sounds of what is to be a man the most alone in the world when consolation is the most important. And-oh-the-humanity.
And big baby, suck it up because you’re in the city now and it’s time to get tough and cut the gasps.
And then the day passes until the moment where you return home from the long-ass work day, to unwind with your pup-beast-filthy-love-animal-dog, and you go a walkin’ and a talkin'(on the phone), and as you round the dark corner, you emit a silent scream because… a gun! On the pavement. Too much. Your friend awaits on the other side of the phone afraid and waiting to be informed, as you realize- it’s not so much a gun as an abnormally large and angular shaped, 90 degree turd, in the perfect shape of a big big revolver. And you release in laughter and your friend remarks “I don’t know which is worse”, as your dog has begun to help himself to perimeterless snack, so you tell her what’s worse. And you know you have discovered a whole new level of turd burglar.
The continuous line, having been so for a while now; curious, unpredictable, colorful, undeniable. It’s the strangeness of days, when you as the observer skirt harm, eyes alert and concerned, yet an energy of still and constant, if not necessarily detached- lightness of being. Atypical stage. The comedy, the tragedy, roller coaster magic, continuos turn. Wheel gears gripping and moving forward as we ride. It’s all happening.
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So here you are. You picked up and you moved. Finally. You finally moved- (Good job.)
Something you’ve been talking about for a thank-goodness-noone’s-counting long of time. Three years? Four? Enough time for change to brew to the point of the bubble over. So you ride out in the cascade, thinking of the times where you were so detached from holds and your spirit was far freer, though before you left, feeling tied-down you did not. You just felt… cozy. Comfy. Copacetic. And it’s those C words that can be dangerous.
Because that’s no place to stand.
So you took off in the name of new C words, like new conquests. Like crazy. Like can’t stop won’t stop. And it can all just be so fun. If only you let it. And if only you can conceive of it. Or perhaps just let. it. go.
So you done gave it all up. The pretty house. The fun & loving social circle. The sweet man. The main income sources. In the name of…?
And you’re not quite sure, when people ask you this every-day-question, of quite how to respond to it. The answer varying, dependent on mood, on weather, on wind velocity, or based upon the most recent strangers’ interaction. All in all it is hardly surmisable.
It is the untouchable. And it takes focus to remember that not all is to come with a black and white outline. And it is to show that sometimes you gotta pull that thread from the old sweater. Perhaps those tired sleeves’ll fall off. Or it’ll just keep going until your left with a new ball of yarn. And you can be kind and donate it to the kitten company, bringing them a smile to wiggle their whiskers. Or you can go yarn-bomb the town.
And that’s California, man. The land of possibility.
The golden state, for it’s expanse, and so-many-subcultures, museums & eateries, everywhere art & art galleries & feral or lawful graffiti, mania, excitement; native pride & alcatraz take over; animal parades & freaky carnivals, pop-up-shows, seedy establishments, fresh-fortune cookies, raw struggle & swollen riches, lawlessness, confusion, and contagion, and on on on.
And ocean.
And green; for dripping night-blooming-datura plants; massive, shedding, fragrant eucalyptus, girthy taproot, secure base; established, luscious thick, envious jades; swishy, flirting-with-blocking-the-moon-palms; nooks and crannies: a dream for sleepy monkeys if only one would escape it’s captivity, or the ideal habitat for weary squatter and mangey pooch.
And brown; for trash upon trash in the city parks, don’t-drop-your-keys-in-the-gutter-because-how-dirty-streets; filthy, creepy alleyways where you must pretend not to have a smart phone or sucker you might be; curbside furniture left for days, covered in soot; mysterious weaves on the ground; white bums with black hands.
You might not have realized how grimy it could be. And how distracting, to boot.
But that’s ok- it’s your renaissance.
On your time. And you made it.
You are in charge of celebrations.

Viva su revolucion!

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Can I ask you some questions? Would you be so kind as to take a moment to reflect for me? It’s about you. It’s for me… well, for now. But I have ideas OF COURSE. So if you prefer, you can answer anonymously. You can even have my personal email: thelighteningcan@gmail.com and I will respect your privacy when I reiterate. Though, I don’t think you’ll be feeling too exposed when you get right down to it.
I want to know 3 things.

  1. What makes you unique?
  2. What makes you special?
  3. What makes you fortunate?

I have answered these questions with my own brain to provide a template of depth I hope to find, verses some topical answer. Answer in one part, two parts, three parts… whatever. Get loose with it!

Baby L (me)

  1. What makes you unique?

a. Often- I’ll see people that seemed deeply embroiled in a heavy make out session, all intertwined and public. Then upon further inspection it turns out that it is in fact just one, solitary obese person.
b. A new vocabulary word that I have never used before will be on the tip of my brain upon wake, awaiting its debut in my conversations perhaps.
c. I dream about water bodies in some capacity every night.

  1. What makes you special?

I care deeply for justice and work towards it in some way almost every day. I have wired my life around it.

  1. What makes you fortunate?

a. I am fortunate because I have creative, tireless brain that when on the right trajectory has the capacity to produce beeeaaauuuty! And crazy drive. I am constantly getting new, cool ideas for art on a larger scale. I’ve always been dipped in some form of self-expression.
b. Also, I have parents that have been supportive of my zany ways that differ so strongly from their approach at life. We love each other.
c. I have a beautiful house and beautiful friends.
d. I’ve been granted with an overall positive disposition.
e. I consider myself pretty self-aware and am always striving to be my best self.
f. I got rhythm for days and I ain’t afraid of no dancefloor!

So there it is. Spice it up/ break it down. I’m listening. Sock it to me (((please!!)))!

play this

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I like the stories that tell of cotton trees. With free balloons’ held temporarily in branches. Where a kid cries below because their favorite yellow floated off too far. Where the breeze smells like a feeling. And feelings trigger childhood memories and swampy geese that push through thick algae, and fat locusts that blindly buzz. Where little boys did unspeakable things to lightening bugs and little girls protested. Where the lightening bugs were a plenty. Where lightening bugs called in the dusk. Where the dusk was met by the tippiest-tips of the willow trees, tickling the new-now shade sky.

I like the stories where strangers stand pigeon toed, unaware of spectators. Where their petticoats carry a mystery-feather from someone else’s journey. Where their shoes aren’t as shiny as they imagined them to be. Where they are perfectly imperfect. Where they can be used as innocent templates to ad-lib, never knowing their role in a passerbye’s made-up-tale.

The stories where markers squeak across train cars windows and lovers names are written up and crossed out with dizzying repetition, and for-a-good-times’ are scrolled liberally. Where teens smoke angel dust between the cabooses and get hyped on the Beasties. Get hyped on tunnel wonderment. Get hyped on honeys’ hi-tops.

I like stories where people make metaphors out of toast, or the common area, time travel, violins, or maybe the color grey. Stories full of description dripping. The ones bordering tangibility. Where the writer held nothing back. Where transparency is the best; the only choice.

The stories where I am surprise-kissed in the rain, in the middle of some city park while we casually walk through.

The stories that spark late night scramble drawings. Where palms get inky and paper, promised to words. Tattooed to its’ truth.

Can I ask for your allness? Is too soon such a thing? If I died tomorrow it would be a shame. So speak please, like wild horses. Free. Like a passing condor. With white magic. Not like a stegosaurus. No. Don’t be too late.

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