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Let Be Wild

Trees; an affront to imposed rigidity and structural predictability,
contrasting the angles raised of long blocks that contain them,
(parks- a slight, conceding effort;)
defying street boundaries;
interrupting, inconvenienced by countless collections of 90 degrees;
spreading roots with great effort, nonetheless.

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To be well and free against the opposing absolute and certainty of man-made resolve, in an immediate world of molds and intended order.
In a time where plans are steadfast; where chance is made scant;
lessened; unappreciated, threatened by homogeny.
I will sing the songs that rise up from beneath my feet, that the pavement has not permeated. I will sing the songs that are not mine to keep.
I will sing what comes forth, be I know not from where.
Songs to soften, with hopes of bringing broader breath to asphyxiated systems surrounded in soil.
Songs to ease the rattle of drilling for more more more when all is what we’ve already, collectively got.
Songs to hug at the earth burdened by those who appreciate her not, yet tug tug and tug relentless at her spine, yes.
Everyday. Back breaking acts in detached formation. Embroiled in entitled ideals.

When did people learn that nature was to be conquered and what happened to their songs?
With trees so tall to walk beside, how can they not feel a hum?

oaaoaaa

 

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There is a well of surface-scraped-depth within me.

I know.

And maybe you too.

I need to know what gems lay deep, bound by body basalt; encased in black rock; kidney crystal. Clinging to crags. Affixed & sturdy.

Formations of luster; robust & ripe; uncomprehended in fullness.

And it worries me.

How to mine myself for precious bounty?

Am I made of softer stone? Might I chip?

What earthly instrument would act as chisel?

How much wonder, precision & intent is required for self-extraction.

To mother words.

Arrange them & categorize.

The placement in a great pantry of order, positioning strategic visions; moving over pink salt, second hand plates, glass jars, almond flour, the old orange juice press, wayward spices- to arrange enigmatic & even alien feelings that can use the generosity of air-time to dry upon the lacquered, shaded kitchen shelves still shieldable from light with manageable doors.

That can benefit from this. To breathe & to steady.

The place my private mind has kept sacred & mysterious, precisely where X marks the spot, though barely tended to- not having intended to gloss over them or feed the deterring, fleeting, faux shiny distracting forces; shielding fears of my own discoveries & the responsibility that comes from choking- one day- upon an throat full of undigested diamonds.

How do you do bounty?

We are each equipped with inherent, ancient farming techniques.

How to learn treasure.

Day After Icicle

The heat pushing through the piping of the long house in one steady breath, promising falsely to fog up the windows and appease the chill down to the bones that we all felt; coaxing blood back up to the surface; releasing the tight shoulders in the room, squeezing in desperation to retain the remnant warmth.

Me and you. We are cold together in spite of talk of Tahiti. In spite of flirting with ideas of occupying the shower. In spite of number 70 on the thermostat.

Cold with worn hearts. Wimpy, floppy, sore- from news that came in pin-cushion packages with the pricking points turned outwards.
Packages delivering information that both whispered and yelled at once, as for no one to mistake anything on any auditory level, that the beast had returned; and in it’s believed absence- gained volume and momentum and peculiar support.
An inconceivable menace that was as real as the boogie man, and just as easy to doubt.
And now, in shocking, lurching fashion, a manifestation has come forth onto the eyes of the public- thin with disbelief- banging chest, fragmenting citizens, hissing for allegiance, disregarding all in it’s path of unparalleled ethos.

Ice. A stairway in December with no salt.
Sub zero in some cut off jeans.
Windchill with newspaper blankets.
We begin our struggle to blind ourselves in counter action, to stare in solace at the sun.
To rid the big freeze from our bodies, and find a way to raise a renaissance life of egalitarian existence where chatter won’t break our collective teeth.

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Lightning House 

lightening house

Forty years.
Forty frosty, colorless years where which the silence had built, grown, & settled upon them like a heavy, deep-season blanket.
Forty years.
Forty of them; where the walls observed no good morning, hello, how was your day, did you hear about this, did you hear about that.
No congenial exchanges muttered.
The couple passed each other in the hallway, or might occasionally find themselves waiting for the frying pan, the television, or shower to be ready for their own use, impatiently. Wordlessly.
The beginning of the descent into the static, mute, existence resulted from no particular fight, but more of a long, blue-hot-burning that built, seemingly to the point of no return, & a terrible, despairing feeling of being stuck together in the house of pulled, private shades & blackened, hollow photos.
The house with the yard where the neighborhood children wouldn’t fetch their balls from. The house of anger. And the house of dashed dreams.
Throughout the time of the Big Freeze, one had taken up quilting. The other had become an origami savant of sorts. One had developed a fancy for cherry everything: pies, ice cream, liquors, preserves… The other: a determined reader intent on hungrily devouring all on the topic of the Ottoman Empire & it’s collapse.
Still- no sound uttered.
Their love for music had once untied them. United them.
Like sun slathered honey, smelling of dewy mornings, feeling like cut-back-fresh wisteria vines pointing & sun bound, they’d  listened with their then-warm-hearts & looked with soft-watery-eyes to the other half play. Nimble fingers. Fluid attachment to sound, to manipulation of keys, breezy build ups, unpredictable yet so-good-wow-crescendos.
Life times had come. Gone. Come. Gone.
There they were, embroiled in a semi-coexistence where none was to share any thought; the icey quiet had crept into all the pockets of possible return, all too long ago.
But. If. Ever.
And never with a nod or a pre plan- they were ever to find themselves on the porch at the same time…
The music. The sound generated. Together by the dueling keys. The compliment of their knowing hands crashing down upon the ivory.
Creating the wildest, sensible cacophony of exquisite sounds, speaking leagues through keys into the sky; could’ve convinced the ethers to rain. They would. They wanted.
Would have the porch sitters abandoning stoops.
Would stymie the squirrels in their gathering.
The birds would settle in. And watch. And absorb. And the music was goddamn living.
All the lives that were tampered down & tucked in & brutalized with nothingness through out the years.
There & then.
Life.
And then.
Without nod, or gesticulation, the songs would conclude.
And the door would creak open.
The floor boards would give their predictable sighs.
The television would roll on in careless fashion.
But those: the only sounds that remained.

Empty and Now

The stillness will say take me or leave me, without saying so.
The softness will be yours to find.
We will wake, inevitably.
We will make the creeks and coos and moans that are in concert with the first moments of returning from turning off the grand system of body- the one primary to the sun; heavy bold to cloud shy, where we come back into minds after the curious dream places we arrive. Gathered or spilled.
The stillness is there, upon wake.
The skull- hollow and reverberate. Prepared for nothing. Subject to you.
It’s walls- holding no residue of experience, brain proximity unconsidered.
The brain. The master tenant.
The eye opener to look.
The thought provoker to begin consideration.
Or heavy chatter.
Or worry.
Or cacophony that slips from our grips and pushes us down dried-grass-barbed-slopes of new ideas, repetitive thoughts, or at worst- debilitating dark-cornered-unlovely-menaced fears.
I’ve always maintained “It’s the curse of the artist” to be so embedded in my own head; my own roller coaster emotion- trigger happy switch to take off.
Swapped for creative head- where use of traded goods is essential for self preservation and soul satiation.
In spite of knowing.
That outside my very self- exists all the peace and calm that anyone wants access to, as long as I stay in said stillness. That is there for the there-ness and no agenda to speak of.
And these soft moment-matters, they velvet path our way in elongated instants, where we find ourselves at fluctuating, anytime times.
And perhaps we tap our third eye 3 times with our index finger, to remember, here here here. This this this. Now now now. To stay soft in the still for one more moment.

Evening Stroll

A walk around the blocks.
At night.
When the lights are on in the apartments within eyeshot, bright enough to reveal each illuminated box of walls and furniture where lives take place. Where conversations abound, or peter-out. Where honesty lies across the table, or secrets stay tucked under lightly-used napkins. Where sauces boil and bubble and forgotten pies burn crisp. Where old shoes line the entrances and extend into halls, tripping the innocent, and plants curl yellow in the condensation of windows.
At night.
Where sounds of closing car doors echo louder in the hush. And cats scramble with their better, dark-favored vision to the other side of the road. And skinny rats develop false confidence, obeying their hunger, scampering out of dirt holes to snatch fallen crumbs.
Where people sleep in dingy, hard, marble doorways beneath the blankets that once belonged to generous beds, and dream of colorful fantasy pictures, or terrible monsters, or vacations that they’ll take next life time, or things that they’ll have forgotten by morning.
Where pasty, sun-deprived gamers sit in fluorescent ,24 hour donut shops tactically moving board pieces, tantalizing early onset diabetes to their doors, gorging on fried-sugar-dough, systemically solidifying the promise of never getting laid again past a glory-hole. Where cups of stale coffee tip and splash spotty pants from shaky hands, and ashy floors, and blurry eyes and sour breath.
Where new couples cruise the banks of the lake, holding hands and kissing at each bench, and butterflies hopefully in there somewhere.
Where cargo trucks roll about, containing clandestine items of unknown sourcing to half of the drivers.
At night.
When I walk around my neighborhood.
Around blocks that are beginning to encircle a sense of home.
At night where my dog and I walk in wonder.
And contribute to the spectacle of the quite observers observing.

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What’s the method to your madness? You know- the one where you pick at the scab or reactivate the cut again again, or bang your ever forever perma-bruise; only this time instead of puss coming out you get a fine, silky, viscous magic thread of your own musical splash.
Splash splatter shit.
All over your walls.
Hope your carpets’ not too absorbent, ma’ dude.
This welcomed mess; The kind you’ve been keeping your chin up for and doing all your positive visualization practices and your “this too shall pass” breaths. You’re totally pumped because boOm- your muse showed up just when you were trying to name it and give it form, and now all you want to do is make it suiting, stitchy clothes and dress it up like an angel. But it’s no angel, darling. You traded your soul for you art. And you knew that already.
Why do artists carry the cross? Why so encumbered? So fickle and burdened? I’m feeling a Stevie Ray Vaughn song coming on… something about sales… so dust off the wax and we can get those memory cells back on board. I don’t know that you’ll need them if you’ve got the right momentum, but a brain buzzing and flexing with optimal potential only services the rest of us too.
Good luck riding the rocket. And naming the fuel source. And being aware of when you gas up. Because the moon- she waits and the broom is busy.
Draw a picture for me when you get a second. I’ll be here trying to identify my own individual sound. For now all I know is that it’s likely set in minor chords… and probably a really sexy rhythm section.

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