I like the stories that tell of cotton trees. With free balloons’ held temporarily in branches. Where a kid cries below because their favorite yellow floated off too far. Where the breeze smells like a feeling. And feelings trigger childhood memories and swampy geese that push through thick algae, and fat locusts that blindly buzz. Where little boys did unspeakable things to lightening bugs and little girls protested. Where the lightening bugs were a plenty. Where lightening bugs called in the dusk. Where the dusk was met by the tippiest-tips of the willow trees, tickling the new-now shade sky.
I like the stories where strangers stand pigeon toed, unaware of spectators. Where their petticoats carry a mystery-feather from someone else’s journey. Where their shoes aren’t as shiny as they imagined them to be. Where they are perfectly imperfect. Where they can be used as innocent templates to ad-lib, never knowing their role in a passerbye’s made-up-tale.
The stories where markers squeak across train cars windows and lovers names are written up and crossed out with dizzying repetition, and for-a-good-times’ are scrolled liberally. Where teens smoke angel dust between the cabooses and get hyped on the Beasties. Get hyped on tunnel wonderment. Get hyped on honeys’ hi-tops.
I like stories where people make metaphors out of toast, or the common area, time travel, violins, or maybe the color grey. Stories full of description dripping. The ones bordering tangibility. Where the writer held nothing back. Where transparency is the best; the only choice.
The stories where I am surprise-kissed in the rain, in the middle of some city park while we casually walk through.
The stories that spark late night scramble drawings. Where palms get inky and paper, promised to words. Tattooed to its’ truth.
Can I ask for your allness? Is too soon such a thing? If I died tomorrow it would be a shame. So speak please, like wild horses. Free. Like a passing condor. With white magic. Not like a stegosaurus. No. Don’t be too late.